Venom:FanScript Part III

Venom Part III

Good day, 

    Interaction three, Ixl is taken by the officers. Venom begins to have a slight freakout, but another voice enters the conversation and calms him. This voice is the first coherent speech from Ixl internally or externally of his own accord. He has spoken in the bar and upon the street as Venom but usually Venom's tone of voice is dominant. Venom is taken away to a prison as his father is treated for his minor injuries and questioned by police. Venom is seen looking through the back of the car from the ambulance's perspective which then cuts away to the passenger officer looking through the rear view mirror to see Ixl calmly sitting in the back seat.

    He is taken to the station for processing and a one night stay before possibly being shipped off to the asylum as his history of mental illness, as they call it, is well documented and the Police have contacted the Specialist in charge of his case at the so called clinic. 

     While in the holding cell Ixl is introduced to the most primal of man's instinct, the dominance of one man's will or personality over another. For he is indeed the largest man in the cell, and is mocked and spat on constantly as he stands before the bars looking at the officer at the nearest guard station. The eyes of Ixl creep the guard out, as he is young and impressionable still, as far as officers go, vastly more so than the intimidating and mockery of the prisoner's they keep there. They start to close in physically on Ixl and Venom knows he can do nothing, not yet for he cannot yet trust Ixl in daylight alone, walking amongst the common folk. For Venom does not have the desire to consume his host, but to be bound to him forever.

    Venom takes Ixl inside himself, while the inmates beat him. There we see the history of Venom. This is the perfect time to show the history of the Venom Symbiote as he struggles to save Ixl. Which is contradictory to the nature of the symbiote race.
    

--
    The creature that would become Venom was born to a race of extraterrestrial parasites, which lived by possessing the bodies of other life-forms. The parasites would endow their victims with enhanced physical abilities, at the cost of fatally draining them of adrenaline.

    Symbiotes were originally an unfeeling, conquering race, taking over any species they came in contact with to feed off their emotions; this mainly involved adrenaline rushes from death-defying feats and, as a consequence, the hosts tend to be short-lived.  In a strange twist of nature-versus-nurture, it seems that a symbiote's personality may be based on an amalgamation of the memories and thoughts that have been collected from the various hosts and stored within its genetic memory. Venom unlike his kin has had very few hosts so his personality remains true to the nature within them, thus his oddness or form of caring in keeping his host alive for perma-bond, or mutation as he calls it. This explains how a creature like the Venom symbiote, who once valued life to some degree, has mutated into a being who cares only for his own skin and of its host and can take the lives of many even without its host's consciousness being present to guide its actions.

    Though Venom once claimed 'innocence should be cherished' and rescued victims he deemed innocent, including human infants, once even offering a young child a candy bar and reminding him that "only grown-ups should get in fights".

    This is shown to be true of Venom as we are shown its history up until its first complete bond with Ixl. As Victoria takes Ixl, and unknowingly Venom along for the ride, we see that even Venom cherishes life, the innocent. This becomes particularly true of women, children and the oppressed such as his inmates in the asylum. For many are there in various forms of political prisoners, all drugged up for the most part or hidden away in padded rooms never to be discovered by the light of the world.
  
     The Venom symbiote was different because it desired a strong bond with a single host, and desired to belong rather than to dominate. The Venom symbiote was deemed insane by its own race after it was discovered that it desired to commit to its host rather than use it up. Which leads to imprisonment by its own race, at which point it is exiled into space trapped in a cube or black rock. To ensure it didn't pollute the species' gene pool. The Venom symbiote describes itself as a mutation, though it may just as likely be an atavism among its species


      We see a several flashbacks of Venom's past ranging from his first bond, in the ritual of adulthood, so to speak, to his discussion with his father symbiote and its claims of his vile mutation and insanity, to his trial before his race and exile in cube into space.

--

    After the flashbacks Ixl and Venom wake together as one in the prison cell both very much active in the mind at the same time as if bonded as the Venom Symbiote Suit. It seems that Venoms black hole in which he had taken Ixl to hide him from the wounds they would receive has mutated the bond beyond any Venom or his species have known.

    Ixl is not yet coherent, and Venom gets a good look at how Ixl processes the present and reality. He cannot control Ixl, but the bond has mutated from lurking in the spine and feeding Ixl thoughts, to Venom's actually being able to view the mind of Ixl, but for now only the present not the past.

    During the first attempt to sleep that night, battered and bruised as they are Venom gets a look at what happened to them while they were both devoured by darkness and flashbacks of time. We see the beating, the moving of Ixl to a secure holding cell, and then a stretcher and a white van moving him to the asylum. There several tests transpired, one even where spinal fluid was taken, Venom quickly reverts back into the spine (shown through cool effects the transition between the physical brain down into the spine) where he finds a minute piece of himself is missing, nothing that he couldn't grow back, but possibly something he may never get back. Not an attribute of himself or a part of his memories or poweress, but a physical part of himself.

    From there we are shown, via camera, flying out the padded room's door, and down several halls to a lab. From there out the window and into the city nights, transitioning into the police detectives looking further into the case of Venom and the attacks which has lead them to the Ixl family home. Where they do some looking into the case and probe around the house, the father comes home and confronts them angrily, they have  a warrant and notify him it is a crime seen, they can do as they wish though the lead detective informs his partner politely that they have all they need and can go. As they leave Ixl's father quickly runs around the house to check where they have ventured, finding all the doors he left locked, still locked he sits upon the bottom step that leads up to the second floor and collapses with anger and grief. Ixl's mother lies dying in the hospital from an ever weakening pulse from a bleeding heart valve which they cannot replace.

    From there we follow see Ixl and Venom again in the padded cell still Venom is struggling to bring Ixl into coherent reality, which is mostly leading to its getting very annoyed: All just as the detectives arrive outside with a warrant and request to see the prisoner. The photo they took from the family home does not to the young man's massive frame justice as they get a look at him through the cell's single portal. Ixl looks up at the movement and Venom begins to panic, again the second voice comes softly, though noticeably more forceful to calm Venom again.         

    The detectives begin to question the doctor and show him the warrant to be provided with all the information about the case they asylum has. They hand over all the paperwork and files they have on Ixl and arrange a time for him to be transferred back to police custody. The detective's partner leaves in the squad car, but before leaving asks if the lead detective would like to ride with the transfer unit, he initially declines. But remembers that they have a warrant also for any blood work or tissue samples taken as well and tells his partner to leave without him and that he will indeed come with the transfer unit that is to take Ixl with Venom along back into the station.
         

    The detective goes back inside and is given the vile which contains the symbiote spinal fluid from Ixl from the pregnant lab technician and heads back out front to await the police escort. After checking his watch and asking the guard if any good coffee shops are close by he heads up the street to a small cafe.  


     While he is gone Ixl and Venom break out  destroying much of the facility and maiming if not killing much of the staff, save the pregnant technical that was ordered to take the samples of his blood. The room that contains his seed-sample is left untouched for it is the same room that the Lab-tech hides in, and when he finder her inside, Venom and Ixl turn away towards the coming facility guards. 

    It is dust when he breaks out of the back of the main hall way's window, the detective sees him leaving and gives chase while informing his partner over radio of directions and headings. This leads to a lengthy chase through back doors and yards by the detective and his partner in their undercover car before becoming a full blown police chase including a helicopter. The lead detective gets in with a patrol officer while his partner heads towards the Ixl family home, along the way she heads off him off. Ixl and he enters an ally hiding in shadow, there she meets her (that's right the partner is a she, which shows that Venom does struggle with whom he chooses to view and treat as innocent for he does not like nor enjoy her demise) doom.

    The Lead Detective catches up with them in the patrol officer's call with the young man at the wheel. They get out and the spot light is shattered by a sling of webbing, this is when the detective enters the ally to see Venom climbing the far wall out of the ally up the side of a building. He realizes he cannot give chase and as he lowers his flash light he sees his partner's blood trail, there he finds her. Crushing the vile he drops his flash light, which the viewer believes to just be dropped out of fury or a grievous wound for he does not acknowledge the broken glass from the vile embedded in his hand.

    From here the movie flashes as if over, the big battle scene in the Asylum is more than enough to convince the fans both die hard and new to the character of his power, of his bond with Ixl, the history of who Venom is and his own inner conflict with choosing who is innocent in the beings he meets and how to deal with them one and all individually, not out from the rage within himself nor the massive amounts within Ixl. As it winds down the internal conflict is seen as Venom sits in the early hours of the dawn high above the skyline crouching beside a stone gargoyle as if one himself.

   Cut scenes show the funeral for the detective and the clean up and closure of the asylum facility with its specialists and doctors being taken away into police custody. Most of the staff is maimed if left alive by venom, though several of the doctors and lab techs manages to hide from his wrath.

    While it moves on to the funeral we see news paper clippings briefly about some of the inmates (or this could be during the closing credits) some political prisoners, children hidden because of illnesses or family struggles to save careers or to hide corruption. Some are just insane and moved off to another asylum. It shows the mayor or his staff recommissioning the facility under a new name, they are cutting the ribbon in the photo.

    After the funeral ends the movie seems to come to a close, it cuts away to a black screen. Which isn't black at all, it is the mask of Venom, after several moments it begins to recede and we find Ixl walking down a single lane highway on his way out of the city into the country-side.  As he walks himself alone, you hear him humming a tune, an unorthodox tune at that, and as it gets louder you notice that it is in the tone of Venom's speech and not Ixl at all. This leads you to believe that the bond between them and the result of the internal battle in the padded cell before his escape is won by Venom, that he is now in total control even when totally receded into the spine of Ixl.

    It cuts to farther away from him and you hear remotely a cell phone ringing, it gets louder until the scene cuts to a distant road in the city, where the lead detective picks up. He was returning from the Ixl family home as another body was discovered there.  As the detective roams about the wrecked home, the scenes cut between him viewing the scene as it currently is, a wreck, and as Ixl saw it when he and Venom came home to find his father with a mob affiliate in the kitchen going through old letters and a new contract.

    We find out through the cut scenes that that of Ixl's father, it turns out that the only thing keeping him back from getting a mob affiliated construction company through blood ties and much donated work for their safe-houses and personal homes was his son. Ixl and Venom both see very clearly that his father is a villain and so yet another 2 people die. Though the full gruesome details are not fully shown in either of the scenes past or present, only partially in both.

    It cuts away again to a further distance of Ixl walking down the highway alone, but this time a small truck is headed his way.

    It cuts away as the detective reaches the new crime scene he answered his ringing cell phone about, that conversation you hear as both scenes take place in the Ixl family home.  This scene is the Kingpin's tower. There is no power to the entire skyscraper and there are two swat teams and more than fifty officers along with a gathering crowd being caution tapped off already there. They have waited for him, for they - even the men in charge - deem he is the only one that knows what they are dealing with. The only one to see the beast and live.

      As they enter once again we go back to cut scenes between what the officers see as a devastated scene of the Kingpin's entire security forces: Now webbed to various structures or battered, bloody and broken on the floor. To what Ixl and Venom did to them that night, showing the full scene room by room. Not fast cut away which would lose the effect of how much of a nightmare he can actually be: Which has yet in the film to be shown in full force of physical and psychological torment upon his foes. For these he sees as true villains there is no internal struggle either in Venom himself or between Venom and Ixl as to whether or not any of them are innocent. Here I could describe how I see the building and the encounter but I shall not at this time.

    The move from the main lobby to the escalators, and up to the main elevator floor here they go up the side steps which spiral up the side of the building with glass surrounding on 3 sides the the middle open to a large fall back down to the main lobby below. As they go through out the building we have several more cut scenes showing the nightmare of Venom and the poweress of Ixl unleashed. Until we find them at standing in the Kingpin's office.

    Again it cuts away to Ixl walking down the highway closer now, still the same distance behind the vehicle approaching him, but this time the truck is closer so thus so is the viewer/camera. Now we hear the slithering voice of Venom, advising Ixl to stick out his thumb to hitch a ride, like the couple that walked along before them did. They had backpacks and a sign, but it was the out stuck thumb that got them their ride. Venom coaches Ixl again to stick out his and and then uplift a his thumb.

    It cuts away back to the detective and the swat team they have found the Kingpin upside down his legs wrapped in webbing, hanging from the ceiling, as they spread out in the room the giant man falls from landing on his massive desk in the middle of the room. Some of the swat members notice that his arms are limp and folded in manners that would suggest that they were shattered, broken folded backwards from the shoulder blades, and that his legs are busted up and folded in a manner that would be physically impossible for a man his size. As he slides to the floor, feet first, off the desk his head gradually is leaned back to reveal his mouth full of webbing, even it seems it is coming out of his eye sockets and ear canals. Here the cut scenes liken back to that of the Ixl family home, as the detective discovers objects in the room a brief cut scene is shown of what transpired to arrange the room in such a manner. The scene cuts away as he is staring out over the city from the main window from the Kingpin's office transitioning to its ending with the detective giving a report of the case to a police tribunal.
    

     Again it cuts back to Ixl and walking down the highway with his thumb out now. The small truck stops but several yards ahead of him waiting there for him to catch up. Venom screams with delight in Ixl's head,' Now I am going places,' which he quickly remedies to 'now we are going places.' But as Ixl swings open the door to the truck you see his face, now clear eyed with much clarity and coherent, he smiles and says 'now I am going places.' Or possibly 'indeed now we are.' The fim ends with the vehicle with Ixl in it driving off towards another city off in the distance under an overcast sky with a bright sun dawning in the vast horizon.

 At the end of the film credits we see Ixl sitting beside a young female driver dressed down as a country farm girl, we see from his eye point of view. He turns to see the road ahead, and the city they are destined towards is much closer now. In his hands is a postcard taken from the mail he found on the table when he went home to see his father one final time only to find him making evil deals. It is a postcard from Victoria, telling the family all about the city and university she is attending come the fall semester. Inside we hear both voices say simultaneously, Venom and Ixl, in unison as one, ' no more lies.' They say as both eyelids close and so ends the credits.

    Obviously its not perfect, but it is very attractive to both the hardcore Venom fan and to a person who enjoys crime/action thrillers as well. Something in the mood or atmosphere of Dark Knight as a crime/action hero movie, but slightly darker at times action wise. But the mood of it would be good for the way the plot line carries out. There are bright moments of hope but there are only few.


                                                                        Additional Story Notes

    The detective becomes Toxin as a one of the two seed-sample from the vile taken from Ixl's spine which included part of Venom, breaks in his hand at the fury of his home being destroyed. This is not shown in such a manner as to make it obvious . All we see is his arrival at the scene where his partner has confronted Venom and has subsequently died. From behind him and about his waist level we see his partner lying on the ground and him grasping something tighter and a crash of class a bloody hand and the flash light fall and crash upon the ground as he discovers his partner. It is not revealed for absolute certainty how Toxin is born until a later date.


    A cell mate become Carnage, it is later discovered that the entire contents of the seed-sample vile containing the Venom spinal fluid are not given over to the police, they are about to be sold off to a large bio-tech firm when the asylum is shut down by the city for abuse and neglect of patients. For Ixl and venom's break out destroys much of the facility and maims much of the staff, save the pregnant technical that was ordered to take the samples of his blood. The room that contains his seed-sample is left untouched for it is the same room that the Lab-tech hides in, and when he finder her inside, Venom and Ixl turn away towards the coming facility guards. 


To be...
Continued?


Venom is the parent, the most powerful and the only one who has true principles and truly honed his moral compass to be able to distinguish between the absolute innocent and those who are vile, deserving punishment.
They fight together for what they understand to be right, though it isn't always a perfect vision of right and wrong. He fights on through most injuries if the cause is worth it.

Toxin is the first child, being born of the detectives unison with the broken vile the night his partner dies. He is timid and his timidness is attached to injuries or tactical victories which result in him fleeing into the night. He timid and shyness is attached to his inability to decide together between right and wrong action in dealing with the choice of innocent and villain. Usually gives up after tactical defeat or injury, save in combat against Venom whom both Toxin and the Detective want dead for different reason.

Carnage is the mad-child, his birth is that of a prisoner who uses the vile -  found in the lab during a routine cleaning out of old fridges by a technical -  as a weapon after breaking it upon the counter and holding it to her neck. His bond with Carnage is fastest and the beast or symbiote dominates him easily as he wishes for nothing more the to lounge in the darkness or relish in murder.


                                                        Movie 2 Toxin Vs Carnage


    Venom is on hiatus from this film in another state living his day to day life trying to cope with being both and bring his consciousness to 100% complete coherence. In this film the struggle between the Two for dominance is shown as Venom finds out that Ixl is becoming ever more coherent to the point where he can get a regular job and hold it steady while living in an apartment  just off campus from where Victoria is going to University. A spy from an agency working for under the sub-direction of the Red Skull has been sent to capture Venom and bring him in for examination.

    This agent is the Chameleon, white pale skin whose powers are innate: his epidermis and skin pigmentation have been surgically and mutagenically altered by a serum so that he can take on the appearance of any person at will. He also wears fabric made of memory material that responds to nerve impulses and can appear to be what ever costume he wishes to be. The Chameleon's physical strength and endurance could be somewhat augmented, though not to the levels of any of the symbiotes or Answer. He relies more on tactical advantage, traps, psychological warfare and intimidation.


    
                                                      Movie 3: Chameleon Vs Venom



    At the end of the film during credits, Chameleon gets a phone call in his dark apartment telling him to go manipulate the situation between " The other Two." We are sending someone who has had prior contact with Venom to deal with him. Our primary targets are now "The Two." 


                                                                    Movie 4: Battle Royal


     With the Chameleon manipulating toxin under the guise of a secret service agent giving him advance warning of the arrival of Venom who will seek to destroy Toxin, Carnage and much of the City. They strive to set a trap for him. While under the guise of Carnage's mother/father parent Venom the Chameleon manipulates Carnage's violent will to do whatever it is that is desired or needed, eventually plotting to kill the agent that has taken his place in the bringing in of the Venom symbiote and bringing in both Venom and Carnage at once. While leaving Toxin's mind in a fragile state where he can no longer even move.



Movie 4 Villains replacement for Chameleon to bring in the symbiotes for testing and research.


Vernim
The Answer  Aaron Nicholson / A.N
 - a criminal genius and a former member of the Kingpin's criminal organization


To be...
Continued?